It has been questioned whether they are sexist, misogynist or perhaps post-hegemonic, portraying a world without gender or race power relations, where everything is stripped of meaning and new meanings are made. This showing of a hybrid gender is interesting when one contemplates Die Antwoord’s engagement with gender in their full body of work. Above their heads hang a crude drawing of two dragon-like humanoids, one with breasts and an ejaculating penis and the other with a male torso and a vagina. In this bath scene, Yo-Landi holds a duck in the bath while Ninja stands next to the bath.

Ninja is also in this mix, shown frequently in the music video in this same style. Their naked torsos are slightly dirty and their facial expressions are dim-witted. Shots in between of white men and boys, styled in a type of Ballen aesthetic which is in a way primitive and even creepily childish.

The music video starts with Yo-Landi sitting in a bath filled with black water, calling on all the ‘boys’ whom she likes (a lot).

Little guy in die antwoord videos